The snowfall is harder now and the car
thermometer reads negative one. The highway quickly deteriorates into
two faint sets of tracks as the climb up the pass continues. The
white pellets pepper the windshield, screaming like lasers out of the
black night and into the headlight beams, fast and frequent enough to
be dizzying. The little silver hatchback, stuffed to the brim,
shudders as it crests the pass and changes lanes before the long
descent.
Finally, the plentiful lights of the
valley come into view, blinding and vertiginous after the dark
travail over the snowy pass. Signs announce an abundance of
restaurants, chain hotels, and supermarkets. There is a mountain back
there too, but its form is obscured behind the brilliance of town. Soon, the prescribed exit arrives, the car curves slowly around
a sharp bend and into a new canyon, and the lights cease briefly as
the smaller road extends into the blackness. A few curves later, the
lights of a smaller community begin to appear. Passing through a
quiet little downtown, the icy car finally stops somewhere near the
right address, and its driver exhales.
I have made it to Minturn.
In the morning, I will begin to
acquaint myself with this place that I will call home for the next
four months. After my first night on the sofabed in the living room
of the little shack by the river, I will emerge to a world wholly
changed by daylight, where the east wall of the canyon rises steep
and mysterious, the snow, rock, and sparse
vegetation forming distorted faces and other bizarre art. Where the
western slopes rise more gradually into the sprawling national
forest, Engelmann Spruce towering and dark against the plentiful
snow.
But first comes the first trip to
Kirby's. It's the one-room bar closest to our five-room house, full
of strong beer, clean whiskey, and cabin woodwork. After the long
drive, the light on the beams and the bartop is as warm and inviting
as late afternoon sun. Despite the frigid night, there's a healthy
crowd inside and the three men nearest us are huddled around an
iPhone, talking hunting and looking at pictures of a mountain lion,
two of them drinking Budweiser, one IPA. In one corner, a man and
woman are playing guitars and harmonizing ably on a little pallet of
a stage. At some point after the old friend who's given me the
sofabed arrives from work and we've caught up on lost time, they
start playing Neil Young's “Helpless” and I start feeling at
home.
Soon I will really begin to understand
Minturn. Each time I drive down Main Street – the only real street
– the towering rock of the canyon will quickly impose itself upon
my consciousness. I'll begin to see that the wild dwarfs the human in
this little bubble of a mountain town, that I'm never more than a
glance away from something massively older and truer than myself.
But for now, Kirby's is more than
enough.
***
II. The First Powder Day
I'd been in
Colorado for barely two weeks, but the moment had been almost two
years in the making. It was my first day off after a busy run of
job training, eight inches of fresh snow lay on the ground, and my buddy
Chad and I were standing at the top of an untouched line.
I had skied out west
for the first time two years prior during my spring break from an
outdoor education job in Texas. After two magical days with the steeps
and trees of Taos and a couple more exploring Crested Butte, the idea
took hold somewhere along the desolate highway between Amarillo and
Dallas. If I could swing it, I told myself, I'd head back to those
mountains sooner rather than later. And this time it would be for a
full winter.
A couple of years
and a couple of jobs later there I was, about to start living, as
they say, the dream. The slope in front of us wasn't the steepest at
Beaver Creek, wasn't one of its much-heralded glades or chutes, and
that was good. There would be plenty of time for those attractions.
Right now, all they would do is distract from the real gift: snow.
I've only been
surfing a handful of times, but I've had the comparison corroborated
by those with far more experience: that there's something deeply
similar to the thrill of riding waves and skiing powder. That
harnessing of a gigantic, indifferent natural force and the fast and
fluid travel with it across a forgiving surface: it stirs something
both massively invigorating and soothingly harmonious within us, and for
most every ski (or surf) bum, it's the feeling that breeds our
insanity.
The winter had
been unfairly lucky so far. The mountains of north central Colorado
had been spared the drought crippling much of the West and instead
received a wealth of early season snowfall. So far, I had certainly
picked the right year to indulge my ski bum fantasy. As the powder
piled up throughout December, every skier I knew was jealous, from
friends in California cursing the dry Sierras to those like Chad, an
old camp buddy now living in Denver, who'd followed the advised
post-college route, gotten a steady job, and now spent his weeks
dreaming of the mountains from a desk.
Of course, I had
no idea whether this charmed life would continue all season, but in
admirable hippie fashion, I told myself that none of that mattered as
I stood atop the run. Today was a special one, and that was all I
knew and all I needed to know.
Breathing deeply
like some five-cent shaman, I pushed off into the rush of crisp
morning air and saw my skis and boots disappear in the snow. I focused every ounce of energy and attention into the
mountain-skier fusion of which I was half. Turn after turn flowed
together like a rush of rapids and by the end of the run, I was more
alive than I'd felt anytime since those fateful days at Taos.
The grand
adventure had begun in earnest, and I knew that whatever came of this
winter would be worthwhile. After that first perfect powder run, the
rest would just be gravy. I had officially joined the dying and
wonderful cult of the ski bum.
***
III. Notes from the Oregon Trail
“All that which lies beyond the end
of the roads.”
Such was Edward Abbey's qualifier when
he opened Desert Solitaire by calling the canyonlands near
Moab, Utah “the most beautiful place on earth.”
Standing in Arches National Park for
the first time, watching the white winter sun send huge, cartoonish
shadows out from the bases of the red rocks, I am inclined to agree.
This place is like nowhere on earth.
I have just gotten out of the
automobile which carried me here from Colorado. It remains only a few
hundred yards away, parked beside one of the several blacktop roads
which snake through the park like restraining bonds. But as I walk
down a little wash, with the big rock formations looming on all sides
like gargoyles, the road is out of sight and feels, for a moment,
miles distant. As I take my first good deep breath of cold canyon
air, a raven floats overhead, sharp black on the still-blue sky. It
gives a few noisy croaks of welcome and I chuckle inwardly, imagining
it to be far more than itself. If Ed had been one for reincarnation,
after all, it's hard to imagine a more fitting destination for his
soul than inside the body of a sentinel raven at Arches.
My fantasy will only last a moment. Ed
was right, of course, about the beauty of the roadless places, but
for better or worse, this January vacation – a week-long barnstorm
from Minturn to Portland with a college friend and her sister –
will not be about all of that. Instead, I will find a different
invigorating joy in the road itself, in changing faces and new
landscapes appearing through the windshield.
Here at Arches, I long for more time. Time to fully explore the
nooks and crannies, to find some of Ed's old haunts, to build a fire
of juniper and cook up some pinto bean survival sludge while
considering the painted desert and the snow-capped Sierra La Sal
beyond. Instead, as daylight wanes, we zip from photo op to photo op.
We reach Window Arch, along with several other parties, as sunset
reaches the height of its drama and the low-angle light has the rock
aflame in orange. It is beautiful and majestic and timeless, yes, but
transcendence rarely follows the guidebook, and the real magic of
this evening waits until after we've finished our scurryings and
pulled off into an empty parking lot beneath the hulk of Balanced
Rock. Without much convincing, Claire and Kelly join me in sitting
atop the van and drinking a beer during the final minutes of
daylight. Soon, the rocks are haunting silhouettes, sleeping giants
still indifferent after another day on display. We sip from our
bottles, sing a few songs, and watch Venus, Orion, and a perfect half
moon take center stage. We have settled into the rhythm of one
another and of the road, and the rest will be the stuff of
legend.
After a detour south and west to the stunningly grand
and Edenic canyons of Zion National Park, we work our way north from
Utah through the Tetons and into Montana. The road is a slideshow of
Western expanse, from red rock mazes to deep green forests to jagged
snow-capped ranges. The company is top-notch, with good music
and good conversation filling the old white minivan, the likes of
Patty Griffin, Waylon Jennings, and Dave Van Ronk accompanying this
undeniably Kerouacian montage.
On a cloud-covered morning we
leave Driggs, Idaho and follow the western edge of the hiding Tetons
north, emerging from the four-foot snowbanks of Targhee National
Forest into the Madison River Valley of southern Montana. Sunlight
and warmth greet our arrival, illuminating distant white peaks and
black cattle punctuating a vast golden sea of ranchland. Our two-lane
follows the bends of the swift-rushing river. Bald eagles perch above
its frozen banks, scouring dark waters. Rich and contrasting color is
everywhere in this bright land of extremes. I imagine the
electrifying sensation of frigid water and warm sun, slipping into a
Norman Maclean fantasy of summer afternoons, fly rods, and a current
teeming with trout.
I'm awakened from reverie as we pull into
the little cowtown of Ennis. It's just past noon, and following a
friend from Helena's tip, we decide to take a quick hydration break
at Willie's Distillery, a little family operation on Ennis' wide main
drag. The smiling bartender, somewhere in her thirties, also the
place's bookkeeper, is wearing a fleece vest from the Pro Rodeo
Championships, and as she introduces us to Willie's damn good bourbon
recipe, she launches into the story of their busy weekend working a
big event up in Great Falls. Soon she is showing us photos of her own
horses and as I tell her about my grandfather touring with a rodeo in
his 20s and my mom barrel-racing in her younger days, I remember that
here are my people too, that no matter how many cities I live in or
degrees I earn, my roots are just as cowboy as cosmopolitan.
It's
with this fittingly divided spirit that I will reach Missoula, where
we spend the next couple of days with friends of Claire and Kelly.
Missoula, the university town amidst the ranches. Missoula, the place
Wallace Stegner has so exalted in my mind as the archetype for a true
and sustainable western community. The place where I've already told
myself I should attend graduate school. Inevitably, it falls short on
first impression. After two days, I leave unable to pin down my
feelings for the place. It is trying to hold onto the old western
town of
A River Runs Through It, proud of the glorious
mountains, rivers, and valleys which surround it, but simultaneously
trying to embrace the hip trends of Portland and Seattle. A few
blocks from an old cowboy saloon is an establishment called the Peace
Store, selling, among hundreds of other screaming bumper stickers,
one that reads “Missoula: Just 30 Miles from Montana.” Above the
icy Clark's Fork of the Missouri River, where I watch a kestrel range
overhead, there are the familiar cafes and bars that can be found
anywhere from Amherst to Ann Arbor to Berkeley. Perhaps Stegner is
right and the tension is a good thing. Perhaps it will eventually
lead to compromise and progress. As the droughts worsen it may happen
out of necessity if not desire for harmony. But for now, I see only
the extremes. As one of our hosts tells the story of a neighbor's
beautiful and expensive Malamute dog being shot accidentally by deer
hunters, I fear for the place and for all places where old and new
attempt to coexist in such obdurate contrast.
A more genuine
Montana presents itself just a night later, not in Missoula but an
hour north on the southern tip of Flathead Lake, in the struggling
Kootenai reservation town of Polson where my old college buddy and
teammate Bryce has been toiling as editor of the tiny
Lake County
Leader, his office a cramped
one-floor newsroom in a two-street downtown. Our
entrance into Polson is impossibly dramatic, and not because Bryce
has announced it to the entire town with a welcome note on the header
of this week's paper. From Missoula we've driven north up the heart
of the Mission Valley in late afternoon sunlight, dwarfed beneath the
jagged forms of the range bearing the same name. Steep ridges,
saw-toothed, snow-drenched summits, brilliant gold on the white
faces, an alpenglow I'd only seen before in Alaska. Soon we're
perched above town with a pink sunset stretching over the hazy
expanse of the lake, beyond it another range, the Swans, looming in a
coat of white, reminiscent of no less than the Alaska Range and
Denali at this distance. The gifted author and activist Rick Bass
settled in northwest Montana because as soon as he'd arrived he
recognized a truth now apparent to me, that this is our most wild
place left in the lower 48.
After this grand welcome, the
evening in Polson plays out like some twisted and beautiful
combination of
On the Road and
Glee. The setting: the
Lake Bar, a dusty, low-lit and low-budget joint just through the wall
from Bryce's office. In the red glow, locals return the sass of a
young and aggressive female bartender named Leslie. We soon learn
that it's open mic night, a new monthly experiment being organized by
a gentle middle-aged townie named Mike. A pair of guys somewhere
between high school and college age begin, playing guitar and singing
everything from Dylan to Pearl Jam, one significantly more talented
than the other, but no love lost because of it. Mike occasionally
joins in for a tune on mandolin. Slowly the bar fills with a true
smorgasbord of humanity, everything from overweight Kootenai women to
sad-eyed and big-hearted white schoolteachers to the burned-out early
retirees from the expensive lake houses outside town. Once Mike's two
young regulars have decided to break, a tall, rail-thin Kootenai
youth gets up to read a few slam poems. Pausing in front of the
microphone to survey us from beneath his long, straight, jet-black
hair, he belts out of nowhere the opening of “Ave Maria” in faux
vibrato. It takes a few seconds after he's stopped with a quick “just
kidding” for the bar to offer some nervous laughter. Then he
launches into a set of rapid verses about the misunderstood youth of
a kid on the rez. It's a wild change of pace from the last act and
his aggression catches everyone off guard for a moment, but surprise
turns to small-town support before long, and after his first
performance a big round of applause rewards the youth's bravery.
And
then, finally, the moment arrives as Mike heads to the mic and casts
his gaze to our table in the back. Kelly has been writing songs for a
while now, and one of our quickly-adopted goals of the trip has been
to boost her performing chops wherever possible. So Mike calls her
up, announcing that she's “on a sojourn to Portland,” and in
seconds the night has become a special one for the good people of
Polson, Montana. Kelly sings the opening lines to a song called
“Reeling In,” and the bar falls reverentially silent. Folks who
have only been paying half attention turn on their stools and stop
their conversations as the sheepish hippie girl from Oregon
finger-picks someone else's guitar and sings of fishing poles and
laying an old body down in the river. Somewhere, I think, John Prine
is smiling.
After Kelly does a couple solo numbers, she
motions pleadingly to Claire and me and we join her for a three-part
rendition of “I Shall Be Released” which we'd worked up in Moab.
It's my first time on stage in a while and the entranced crowd is a
sight to behold as we work through the old traditional. Middle-aged
women mouth along silently, the local pot dealer nods his dreadlocked
head slowly in time, Mike beams from the corner. A sojourn to
Portland is a bit too high-stakes, I think. This is just having an
adventure – a release – because we can.
By the end of the
night, I'm a healthy number of Montana microbrews in and there's a
jolly band of five or six of us on stage jamming to “Heart of
Gold.” A few new performers have come out of the woodwork, like
stocky, red-faced Paul, who claimed to only play in public once a
year but was convinced by his friends' raucous chanting to make this
the night. As we close our tabs and stumble out into a black night
seared by stars, it feels like we've done something small but
special. If nothing else, we've given them all a break in the
monotony of a small-town winter, something to laugh about over coffee
in the days to come. And for us, it's just further proof that this
road – this so-called sojourn – won't be forgotten soon.
***
IV. Wild Mountain Children
It might sound trivial, as it would be
most places, but at Beaver Creek, when your students choose skiing
over cookies, it's the ultimate compliment. When it finally happened
unanimously in late March, I knew I could declare my season a ringing
success.
It was only a 10 minute drive, but when
I left Minturn each morning for my job as a children's ski instructor
at Beaver Creek Resort, I entered an entirely new and baffling world.
It's a world perhaps best described by
the mountain's unapologetic slogan, “not exactly roughing it.” A
world where one can park the car and travel to the chairlift via bus
and escalator without taking a single uphill step in those cumbersome
boots. That's if, of course, said patron is not, like most, staying
at the Ritz Carlson or the Park Hyatt or the Westin Riverfront
(direct slope access via private gondola!), or any of the other
monstrous faux-rustic structures lining the lower reaches of the
mountain.
It's a world where Tom Hanks and Gerald
Ford have owned houses, where one can choose from three different
reservation-only slopeside restaurants (entrees beginning at $25)
accessible only by ski or private snowmobile. A world where a Swiss
couple, as I once witnessed, will walk into my roommate's Patagonia
store and walk out an hour later with brand new three-layer outerwear
systems and a minor dent of three grand chipped from the AmEx (minor,
of course, because the average family of four drops $20,000 of its
non-average income over the course of its week-long stay at America's
Premier Family Resort).
Closer to home, it's a world where my
employer, without trace of sarcasm, markets itself as “The Ivy
League of Ski Schools.” Where grim-faced instructors with decades
of certified experience pinpoint their private client's flaws in
ankle tipping, hip rotation, and knee flexion and administer the
Professional Ski Instructors of America's (or, affectionately, the
Pompous Self-Important Assholes) prescribed treatment for such
heinous ailments.
Finally, its a world that is famous,
above all, for chocolate chip cookies. Yes, chocolate chip effing
cookies, handed out fresh, warm,
and impossibly delicious at the base of the resort come three o'clock
each afternoon. Indeed, for many years, it has not been the
world-class instructors or the top-flight accommodations which have
appeared most consistently on the resort's feedback surveys, but
those damn cookies.
And it's telling that something so
simple could be so transcendent, because beneath its embarrassment of
riches and hilarity of pretension, Beaver Creek remains a world where
families come to play in the snow, to slide down thousands of feet of
Cretaceous uplift on pieces of plastic and metal and wood because
long ago someone in the Alps did it and realized there was no greater
thrill on earth.
With this spirit of freedom and abandon
(the roots, after all, of the sport), I became an undercover rebel
against the Ivy League of Ski Schools. I smiled broadly at the
eight-year olds and cracked jokes with their parents when they showed
up for class in the morning and again at 3:30, when I sent them off
with their official report cards full of check marks. One day, I
informed a Gucci-clad Dominican mother that I would not be working
tomorrow and she replied in broken English, “but how can we find
another teacher as happy as
you?” I was at once flattered and concerned when I could only
conjure a few names to recommend.
The thing about
kids, even Beaver Creek kids: they're pretty damn hilarious when
allowed to be kids. After an evening of artisan Mac and Cheese, ice
skating, or Cartoon Network on the hotel flat screen, they'd show up
for ski school and one of the first tasks I'd give them is to come up
with a team name more original than “Matt's Class” (memorable
consensuses included the Fluffy Doughnut Skiers, the Crazy Unicorn
Shredders, and the Supersonic Snow Cheetahs). By the end of the first
gondola ride, I'd be going all-out camp counselor and pounding them
with icebreaker questions like “if you could have anything come out
of your belly-button on command, what would it be?” (worst answer:
my X-Box. Best: whiskey).
And so, on a good
day, by 10:30 or so a group of once-sheltered junior millionaires
would become one of the world's most kinetic and fearsome things: a
pack of wild mountain children.
The next five hours
generally warranted the description “organized chaos.” Between
parallel turning drills, there were snowball fights (as long as all
parties consent, which, shockingly, they almost always do). After a
crash course on tree skiing safety, an intermediate class might get
to play “Follow the Leader” through a glade, their smiling
instructor sweeping the rear to clean up the just-short-of-disastrous
results.
The characters and
the stories which emerged from this relative freedom were nothing
short of heroic. There was little Emery, the shy seven-year old with
the missing front teeth who looked shaky enough on the first run of
her first day that I tried to move her down a level, only to have her
adamantly refuse and spend the next week doggedly improving into a
confident intermediate who moved up two levels rather than down one.
There was Jake, the portly and affable 11-year old who quickly became
ringleader of my Presidents' Week class, who led the group in a
rousing ceremony of Class Superlative Awards during afternoon hot
chocolate breaks, all the while fighting desperately – and finally
succeeding, with great joy – to overcome a debilitating fear of
steeps and moguls. And of course there was Pierce, the hell-bent
eight-year old terror who presumed that skiing parallel permitted him
to ski any terrain at any speed, but who, by the end of a week spent
making new friends and learning the art of control, was eager to hang
at the back of the group and help up every classmate who fell.
Of course, against
our best judgment, we become attached to the kids we teach, even when
we teach them for just a day or a week. Before becoming a children's
instructor at one of America's ritziest resorts, my experience with
kids of this age was as an environmental educator for Houston's
inner-city elementary schools. It's hard to imagine two more discrete
populations from which to draw students, yet it was the same goal
which precluded success in both settings, that of creating a space in
which kids felt safe and free to be themselves. It was, too, the same
kind of goofy and triumphant moments which made each job so
worthwhile. And at the end of a day in Colorado, as at the end of a
week in Texas, it was the same sinking I'd feel as I watched my
students return to a stratified life which might never reveal to them
just how similar they really were to those at the other end of the
spectrum.
I wasn't changing
the world at Beaver Creek, at least not much. I was working within a
sphere of immense privilege, and by getting kids excited about
skiing, of all things, perhaps I was just helping perpetuate that
sphere. But I'll choose to believe in the other side of the coin, to
believe that even if their parents are paying hundreds a day for it,
simply being outside and active in the mountains – exposed, at
least briefly, to something far older than their material existence –
is the most positive experience a child can have.
Which is why I
couldn't have asked for a better coda to the season than what
transpired on one of my last days teaching. We finished a run just
before that magical three o'clock hour, and expecting the answer any
sane child would give, I asked the kids, “Do you want to wait a
minute and eat cookies, or keep skiing?”
The response came
roaring from every wild throat:
KEEP SKIING!
***
V. The
Last Powder Day
It's perfect, I tell myself. It's so
perfect I almost don't want to ski it.
Like a painter pausing
in front of a naked canvas, or a musician relishing the silence
between movements, I realize that the anticipation itself is perfect
and I don't want it to end just yet.
On my last day freeskiing
at Beaver Creek, somewhere in the sidecountry past Royal Elk Glade,
my bladder has stopped my traverse at a most fortunate moment. Half a
foot of snow has fallen overnight, but by early afternoon even my
favorite out-of-the-way spots on the resort are tracked out. So I've
gone exploring, and been rewarded. I've found the dream line: an
untouched pitch of moderate steepness cascading down through the
dense Engelmann spruce and Douglas fir, just wide enough for turning,
too narrow to feel completely safe.
The sun is out now after
last night's snow, the still-wet trees sparkling in the warmth of
early spring. Around me, however, hangs yet the deep silence of
winter. The welcoming pungency of the evergreen boughs, the sharp
contrast of dark, rich green over the cream-white carpet. It's all so
damn poetic – how could I interrupt this perfection?
But if
I don't, someone else, I know, will. We're all greedy in this
business.
Greed, after all, has been one of the driving
forces of this whole adventure. Not just the benign greed that
permits a family to spend twenty grand on a week of vacation, but my
own. What besides self-indulgence could inspire a young man to
suspend his admittedly-murky career goals in favor of a teenager's
ski bum fantasy? In favor of a sport reserved for an immensely
privileged, overwhelmingly white sliver of the world? Yes, somewhere
along the line I've decided that this would all be okay, that as long
as I remained aware and grateful and tried to pass on a bit of that
humility to the kids I taught, I could get away with this grotesquely
greedy life decision.
And make no mistake, I have reveled in
that self-servitude. As a first-year instructor at a resort aimed far
more at out-of-state vacationers than locals, I have had more than
ample time to exercise my greed. A feast-or-famine work schedule has
provided not only greater plummeting of my checking account balance
than hoped for, but also a great many days of sublime skiing far from
the Smurf-blue uniform or the raucous eight-year olds.
I think
back on it all with far more pleasure than guilt. On the days of
tearing through the trees at Vail with the buddies up from Denver, or
the lung-splitting bootpack up the Upper East Wall of A-Basin and the
primal rush of the descent. And also, just as fondly, of the lazy
mornings of drinking coffee at home then driving to the back of the
employee lot, hiking up to one of the smaller lifts, and skiing the
bumps and trees as hard as I could for three or four hours, all
without speaking to anyone besides the occasional liftie. Even at a
glitzy ski resort, after all, the mountains love introversion and
extroversion equally.
Yup, I'm a greedy sonofabitch, I tell
myself as I return to present. But it's been a damn fun ride with
some great stories to tell. And suddenly hearing the traffic of
others behind me, I cast a last lustful gaze upon the line below,
already pulsing with the perfect smoothness and rhythm of the turns
to come, and push off into the sea of snow.
***
VI. Valedictory
It's
dusktime during my final week in town. For the last time this winter,
I'm walking the half mile down to Kirby's, where I'll meet some
roommates and neighbors for a few last beers and laughs. It's been
warming up and a mild breeze hints with joyful anticipation of the
coming months, of many a pleasant night under the great western sky.
But I will not be in Minturn for them, and the thought quickly
transforms my walk into an emotional valedictory.
The place, I realize, is singing to me.
As I stride along the sidewalk, reclaimed from several feet of
snowbank in recent warm weeks, the Eagle River follows me, chortling
irrepressibly just a few yards down from the road. I can picture it
in another month or two: what's left of the snow receded, families or
lovers or friends sitting along the needle-strewn banks beside a
picnic or a crackling campfire. I can practically hear their laughter
now, and am once again flooded with the desire for more time and
great wonder at its passing.
On the western side of the canyon, the
Engelmann spruce cast their grand silhouettes against the blue-black
mirror of sky. It is that final moment when one can still see things
in detail from a good distance away. Soon the darkness will be at
hand, the world turned to flat shadow, and I'll plunge on, trusting
that the unknown will prove benevolent upon arrival.
The river sings with the unquenchable
freshness of Eden. Rock looms steadfast above. How can I, so
transient, possibly feel such deep love for them, so timeless, as I
do in these waning moments? I will return – I must – I promise
myself, knowing already that I may just as likely not, that the only
certainty is uncertainty. Stealing one more savoring glance at it
all, I walk forward into the night.
***
VII. Epilogue: The Future
My first homeward
stop lies south, not east. It's the last weekend of March, but
there's just enough snow left in the mountains above Santa Fe. It's
only fitting: it was Sam who first introduced me to western skiing
two years ago; he should also be the one to accompany me on my first true backcountry tour.
Three hundred
miles south of Minturn it has been an entirely different winter.
While the snow came in heaps to north central Colorado, it left the
Sangre de Cristos of New Mexico high and dry. Sam has kept me
apprised of the damage via text message, so I'm not surprised to hear
the phrases “only a couple good weekends” and “historic
drought” tossed around by his buddies as we catch up over beers in
65-degree Santa Fe (of course, in this state, each year's drought now
seems to carry that label). The warmth is fitting too, I suppose, for
this visit is at once a coda to the season now passed and a preview
of the one to come, when I'll return to the Land of Enchantment for
another summer in the mountains at Philmont Scout Ranch.
Despite the balmy weather in town, I'm determined to ski, even
with high winds in the forecast and assurances from Sam that what
snow remains between 10- and 13,000 feet in the Pecos Wilderness will
be far more like the stuff we grew up skiing in New England than the
powdery diet I've been spoiled by this winter. What's more, I've
flouted ski bum tradition and tried to actually leave the mountains
without declaring myself completely broke, meaning I've resisted
purchasing the full backcountry ski arsenal of new boots, bindings,
climbing skins, and avalanche safety equipment. But if New Mexicans
are anything it's generous, and with only a couple of phone calls Sam
has outfitted me from friends' gear and declared me fit to join him
and our buddy Steve in the backcountry. Borrowed equipment, poor
conditions, and a dicey forecast? Just the makings of a grand
adventure.
The tour does not actually begin in the
backcountry, but at the base of Ski Santa Fe, the little resort 20
minutes from town where it is still 50 degrees and the locals are
loving it, riding in tank tops, baseball caps, and of course, jeans.
We strap on skins and hike up the sides of a few groomers in our
baselayers before cutting off into the woods of Santa Fe National
Forest. With a few good Minnesota winters of nordic skiing under my
belt, I take to the skinning quickly and as we climb up through the
last of the spruce and fir, the scents and shapes of this particular
forest quickly remind me of a favorite stretch of trail at Philmont.
Breathing deeply, I push doggedly after Sam, at once in love with the
landscape, the exertion, and my freedom to experience them both. It
never takes long for these New Mexico hills to welcome me home.
And
now comes the moment of which one never tires: the emerging from
treeline into the open highlands. Soon we're atop Namb
é
Ridge, the earth sprawling below, a fierce but tolerable wind
whipping across our shells. Predictably, I insist on stopping to
enjoy it for a few moments before we drop into the chute we've picked
out to ski. To the north and east rise big Truchas Peak, Santa Fe
Baldy, and the rest of the Pecos Wilderness, to the south and west
the rooftops of Santa Fe and the sun-baked flats of the Rio Grande
Valley. While just as impressive, it's a softer, more rounded
landscape than the jagged ranges of Colorado. It's a reflection, I
believe, of the elusive harmony which its inhabitants still seek, the
balance prized above all else by its native residents, the Din
é.
I
could meditate with these hills all day, but now it is time to chase
my own modern version of balance. It is time to counter austerity
with adrenaline. The Namb
é
Chutes are steep, there are rocks aplenty to avoid, and the
unpredictable snow conditions will require undivided focus. This is
no buttery powder line at Beaver Creek, and the thought exhilarates
me. I've always been one to seek out the ugly in nature along with
the glamorous, to cherish the raw force of a July hailstorm as much
as the dazzling sunset that might follow. So I launch myself into the
chute full of piss and vinegar and the reward is a good one: the
borrowed skis respond well to the alternating corn snow and ice, my
legs feel powerful as I jump through each turn, and before long we're
exchanging fist-bumps at the bottom of the wall.
Our joy won't
last. The mountain has other ideas. We begin to climb back up for a
second lap, but are halted before long, the pitch too steep for
skins, the snow too slushy to bootpack. Our plan of another descent
or two in the chutes then a glorious victory ski through the resort
to cap the day will have to go. The bulk of Namb
é
Ridge separates us from our destination, and there's no way to get
back over it here. We'll have to pick through the woods on this side
and cut back further down.
Fending off frustration, I hike up
as far as I can just to grab a few more turns. You're preposterously
lucky to be doing this in the first place, I tell myself. Don't get
greedy. But as I start carving through the slush at the bottom of the
chutes, I do get greedy. I'm feeling great about my skiing and decide
to play around, exaggerating my turn shape and letting my speed pick
up. No sooner has my focus shifted from the mountain to myself than
my left ski stalls in some heavy snow and I'm tumbling headfirst down
the still-steep pitch, sunglasses askew, hat flying, one ski ejected.
Thankfully I'm far from any rocks and the damage is only to my pride.
But the lessons are clear: no matter how much sweating the climb
might induce, I'll never leave my helmet behind again, and then, for
the second time today, the hard truth that the mountain cares not.
There's no room for selfishness in the backcountry. The moment
harmonious thought gives way to egotism, a price is paid.
Humbled,
I resolve to embrace the rest of our adventure in whatever form it
takes. And once we've handled a few hairy pitches through the trees
and navigated around a pair of small but still-frozen lakes, we're
rewarded. There are few sights more relieving than that of a trail
sign when lost in the woods. Of course, my trusted companions will be
the first to tell you that we were never really lost, and indeed, I
was never too worried, but with the afternoon turning to evening and
our stomachs growling, we breathe a bit easier once we've intersected
the well-traveled Windsor Trail and begun a gentle two-mile skin out.
As we cruise through massive colonies of aspen, Sam feels the need to
apologize for the fact that my first tour has featured far more
uphill travel than down. Damn selfless New Mexicans, I think,
laughing. “You're forgetting,” I tell him, “that I spend my
summers hiking these mountains for fun.”
As we finish off
the tour carrying our skis down the muddy trail to the resort parking
lot, I'm feeling decidedly harmonious. Suspect conditions and
unforeseen detours have done nothing to diminish my love for these
mountains, and the limited amount of downhill has made those turns
all the sweeter in memory (the ones, at least, that didn't result in
me upside down). But after we've feasted on pizza and beer in town,
after we've spent a last night playing old songs and plotting new
adventures, after I've re-packed the car and begun the journey from
one home to the other, there's another feeling that rises with
surprising force. And it's fear. As the images of that day in the
backcountry replay themselves, I'm no longer able to filter out the
details I chose to ignore then: the dry trees, the quickly-melting
and slushy snow, the omnipresent brown and dust of the warm flats
below. It will be a hard summer – a hard future – for this land I
love. Whatever harmony I might feel with it in my moments of inspired
recreation is little to the discord begun long ago. Silently, I
recommit myself both to the place and to the work I will soon begin.
I must hold onto hope that my meager efforts will help spark greater
motions, that it is not too late to step back toward balance.
And
of course, I must hope that these efforts do not come at the cost of
hopefulness itself, that no matter how bleak the outlook, I will
remember the words of this wildly enchanting region's fiercest
advocate and enjoy it all, while I still can.